Purity is the absence of impurity or contaminants in a substance.

Ice is water frozen into a solid state. Depending on the presence of impurities such as particles of soil or bubbles of air, it can appear transparent or a more or less opaque bluish-white color.

It falls as snowflakes and hail or occurs as frost, icicles or ice spikes. Glass shares many similar qualities, the material shining with light and imbued with subtle hues of liquid transparency.

50 CGS members have been selected to take part in this visually stunning online glass exhibition.

Thank you to all those that submitted a piece of work. For each online gallery show, pieces are juried and selected by the CGS committee. We had a large number of entries for this show and were delighted with the response from members.

Launched on 4th February 2015


This is the first show we have held that celebrates the technique of water jet cutting. Although water jet cutting has long been used for a variety of materials, over recent years water jet cutting has revolutionised the glass industry and is now being explored by artists as a way to interpret precise and intricate ideas within glass.

The CGS invited both non members and members from the UK and abroad, to apply for this show. The result is this dazzling array of finely-crafted work of 20 glass artists from around the globe.

Artists included orginate from Canada, Australia, Netherlands, Belgium, The USA, Norway, Spain and Wales.

Renowned Glass artist Vanessa Cutler also kindly assisted in the selection and curation of the work shown. Vanessa’s work is concerned with pushing the parameters of water jet cutting technology and she is considered a specialist in her field.

We asked her to highlight her thoughts on the process of water jet cutting and it’s current use within glass art:

“As someone who encountered the water jet process about 20yrs ago its application has developed now into something that glass artists can now really apply effectively and innovatively into their work.

The use of water jet cutting has now become established within the glass artists toolkit. As digital technology plays an increasing role in the development of ideas the use of such machinery is becoming easier to access, by knowing the types of files and not being shy in giving it a go artists are now displaying its aesthetical and mechanical application. Aesthetical in terms of following exactly as the artists intentions, the ability to draw and reproduce the forms required. Mechanical in terms of accuracy and repeatability.

As more artists have explored the process other have followed opening and enabling exploration and new areas of interpretation across all areas of glass. The process has fed into kiln-forming, hot glass application as well as the architectural, allowing size and scale to be exploited. Throughout he world the process is being used from the repetition of shapes for efficiency in cutting for architectural projects through the limited runs, production pieces to the one-off’s that demonstrate the artists ideas rather that the technical ability of just one process. This process is part of the tool kit and this exhibition of works just the process demonstrate how it is being applied and that it is available to anyone in all fields of glass. ”

The show was launched in May 2014.


“Taking Shape: moulds and forming”- Launched on 23rd January 2014

This latest exhibition explores glass artists whose work depends on forming methods- by exploring 3-dimensional form.

Some artists use moulds in their work as part of their process, or that have developed a way to shape and form glass in a particular way using moulding or tooling. The pieces in this glass exhibition will reflect the intentions that truly explore shape and form through the carefully considered part played in the production of a mould to realise a piece.

Moulds can be made from a variety of materials, from wood, paper to stainless steel, pottery, clay, or plaster and silica. Even found objects can be used such as tree bark, pieces of ceramic etc.

One of the subtle and intruiging aspects of the use of moulds in glassmaking is that the artist will put almost as much, if not more, energy and pasison into crafting the shape through the mould. The starting point is the shape created or carved by them.

This is a juried show as with all CGS shows.

24 artists were selected from a number of entries. Thank you so much to all those that submitted work.