Region:East of England
Technique:Leaded and stained
Discipline:Architectural, Public art, Sculptural
Areas of Interest:Conferences, Exhibition
Product:Architectural, Fine Art, Installations, Public art, Sculpture
For the coming months I can see a growing compulsion to work with scrap metal and glass combined. I don’t yet know how this will play out …
My most significant work has been ‘Ocean Cathedral’. This was exhibited at Sculpture by the Sea (SxS) Bondi Sydney 2013 and SxS Cottelsoe Perth 2014. They were two separately made physical structures. The photo was taken at Cottesloe.
The statement originally submitted to SxS read:
‘Ocean Cathedral’ is a sculpture integral to the landscape/ seascape. Although suggestive of the stability of stone window tracery, it is transitory and ephemeral; the structure sways and bends with the wind; it is created on-site and then similarly disassembled. The view through, as if the magnificence of stained glass in a high vaulted Cathedral, is of the real, sparkling, deeply coloured powerful ocean, and vault of the sky. The view through, is infinite and too great for our senses to truly comprehend. Newly cut green bamboo, lashed with plant-tie cord, 4.9m x 2.7m x 0.1m. Ephemeral.
The accompanying indoor exhibition of smaller sculptures included my ‘Elemental Light II’.
I have included some of my sand microphotography work in the images; for me there is the ever present reference to light, and ideas of the infinite in my work. And of course sand has a very close material link with glass!
'Elemental Light II' from above , Deborah Harding
'Elemental Light II' , Deborah Harding
'Ocean Cathedral' bamboo sculpture , Deborah Harding
'Vessel of Perfect Imperfection II' , Deborah Harding
'Vessel of Perfect Imperfection II' white background , Deborah Harding
'Pink Sand' microphotograph of beach sand collected Western Australia , Deborah Harding
'Sand and Bryozoa' microphotograph of beach sand Western Australia , Deborah Harding