Find a Glass Artist

Welcome to our complete Members Directory where you can find details of all our current members. Joining as a member automatically entitles you to a listing in this Directory, where you can provide a biography, upload photos of your work, list exhibition information and provide details of how people can get in touch.

To browse ALL our members without filters, simply click on 'APPLY'. To filter your selection select from the drop down menus and this will only show you those members that meet the criteria you have selected. If you know exactly who you are looking for, please enter their LAST name into the name search field to find them.

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John Newstead

Caroline Weidman studied Fine Art Sculpture in the early 1980's and has worked in a range of mediums. For the past nine years she has worked as a self employed glass artist and teacher from her Essex based studios at The Village in Barleylands.
Caroline has a passion for flame work, creating both sculpture and jewellery in soft glass, alongside her stained glass practice. The studio has developed a strong commitment to teaching and passing on glass working skills.

Hemma Mason Photography

By making both Blown Glass and Flameworked Glass I am able to express my emotions in a creative manner. Molten Glass is magical, by working with its natural tendencies in the flame I create whimsical and imaginative sculptures and jewellery pieces.

Woodend'
Rachel Welford

Based in Scarborough, North Yorkshire, Rachel Welford works to commission creating bespoke architectural glass artwork, including window, door and wall panels, screens and installations for any architectural application. Rachel also produces artwork in glass and paper based media following her own independent creative ideas making artworks for gallery, domestic interior or exterior environments.

westmoorart

I completed a BA (Hons) Fine Art in 2010 and am a perpetual student of archaeology. My interdisciplinary work explores the deep past of humanity and treasures unearthed from the journey into the darkness. Dartmoor also inspires my work with its rugged elemental intensity, semi-wild animals and abundant prehistoric monuments.

Michele Tyler-Walters

Ron Wheeler

We are Ron and Ann Wheeler of Artius Glass and are the Appointed Secondary Market Specialists to Isle of Wight Studio Glass having worked with the Studio since 1980 and we are considered the foremost authorities on the Studio and the life and works of Michael Harris including his work in founding Mdina Glass.

Ester Segarrra

Following the closure of Broadfield House Glass Museum at the end of September 2015 we are delighted to have been successful with our Round One Heritage Lottery funding bid for £780,000 for the fit-out of the new museum on the White House Cone site. This is wonderful news and helps us enormously in our am to provide a new home for the internationally renowned Stourbridge Glass collections.

We would like to thank everyone for their support and we are particularly grateful for the ongoing backing we have received from our partners at Dudley MBC which has been crucial in helping secure this bid. Dudley Council remains a key player in our plans and we look forward to our continuing mutual collaboration.

The HLF funding is the icing on the cake in giving the new facility the “wow” factor that will encourage people to come through the doors and celebrate our unique glass heritage. Building work is progressing well and it is clear that our dream is now becoming a reality.

Artist photo

Studied Sculpture Saint Martins School of Art late fifties, Architectural Stained Glass in the Ninties following on to Kiln Formed Glass until present day. I study in workshops at RACC in Richmond.

Clash&Clash

Amy Whittingham manipulates materials to create simply stunning cast glass; sculpted with positive and negative spaces, harnessing light.
Glass embodies many qualities it can be strong or fragile, solid or hollow, transparent or opaque. Amy’s egg series compliments these contradictions, accomplishing a remarkable sense of balance.

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